|
|
|

For as long as I can remember I have
been intrigued with the beauty, colours and incredible complexity
of the natural world and in particular the world of flowers. The immediate
and unabashed boldness of colours and shapes have the power of attracting
me to record a visual reminder of their magic well after they are
faded and gone. Because of the luscious vibrancy of colours and delicacy
of the petals I have focused in on the detail, sensing the subtlety
of difference. By zooming into the poppies, I can create a very abstract
effect while still leaving enough realism to identify the flower.
The poppy family
(papaver orientale) has many variations of colours and tone from
creamy whites to deep reds and a special favorite of mine is the
Himalayan Blue Poppy. To show the boldness of the poppy and their
dramatic colours, I have employed a technique of layering colours
upon colours and creating a sheen with oil glazes, emphasizing the
depth and inner light of the flowers.
After many hours
of putting paint to canvas, I realize that no matter how brilliant
a colourist or skillful a technician, it is almost impossible to
capture the magnificence and essence of nature. These objects of
my admiration have urged me to
look at the limitations of the tools at hand and forced me to realize
that to convey such beauty to others, I needed to really immerse
myself into the total environment of the subject. This meant spending
many hours in the natural surroundings of the poppies, at different
times of the day with different light and also in different conditions.
By lucky defect, I experienced a host of sensual delights which
I might otherwise have missed, the smell of the damp earth, cut
grass, the sound of bees and birds, the glisten of dew drops on
the petals and coming to the realization of how fortunate I am to
be allowed to be part of this natural beauty.
By painting with oil glazes in this
realistic genre, I am trying to hold the memory of the moment and
the happy feelings generated as I was contemplating these beautiful
flowers and their surroundings. My hope is that you will also experience
the same contented awareness as you view my work.
Denise
Maxwell
March 2003
|